Computing in musicology, 1966–91
Identifieur interne : 000512 ( Main/Exploration ); précédent : 000511; suivant : 000513Computing in musicology, 1966–91
Auteurs : Walter B. Hewlett [États-Unis] ; Eleanor Selfridge-Field [États-Unis, Burundi]Source :
- Computers and the Humanities [ 0010-4817 ] ; 1991-12-01.
English descriptors
- KwdEn :
- Bach Database, DARMS (Digital Alternate Representation of Musical Scores), ESAC (Essen Associative Code), IML-MIR (Intermediary Musical Language-Music Information Retrieved), IRCAM, MIDI (Musical Instrument Digital Interface), MIPS (Musical Information Processing Standards), RISM, SCORE, language models (for musical analysis), music printing, musical analysis, musical data, musical databases, musical information.
- Teeft :
- American musicological society, Analytical programs, Annual publication, Columbia university, Commercial program, Competent system, Computer, Computer applications, Computer music, Current issues, Darms, Data entry, Database, Doctoral dissertation, Early projects, Early seventies, Early sixties, Early successes, Eighties, Electronic composition, Electronic music, Electronic performance, Encoding, Encoding music, Encoding schemes, Essen associative code, Essen university, Florence conservatory, Global solutions, Hewlett, Humanities, Independent scholars, Indiana university, Language models, Late seventies, Machine transcriptions, Macintosh, Many programs, Menlo park, Middlefield road, Midi, Modal categories, Music analysis, Music applications, Music education, Music printing, Music printing program, Music research, Music theory, Musical analysis, Musical data, Musical encoding, Musical examples, Musical information, Musical information processing standards, Musical instrument, Musical material, Musical notation, Musical scores, Musical work, Musical works, Musicological, Musicology, Musicology interfaces, Optical scanning equipment, Oslo university, Other aspects, Other composers, Other disciplines, Other humanities, Other humanities disciplines, Other kinds, Others attempt, Oxford university, Particular nature, Personal computers, Pitch name, Preliminary work, Princeton work, Print music, Printing music, Qualitative standards, Relational databases, Remote access, Repertory, Reusable data, Rule systems, Seventies, Seventies paradigm, Several domains, Sixties paradigm, Software, Sound capabilities, State university, Tonal music, Tonal types, Word processing, Yale university press.
Abstract
Abstract: While there are many parallels between computing activities in musicology and those in other humanities disciplines, the particular nature of musical material and the ways in which this must be accommodated set many activities apart from those in text-based disciplines. As in other disciplines, early applications were beset by hardware constraints, which placed a premium on expertise and promoted design-intensive projects. Massive musical encoding and bibliographical projects were initiated. Diversification of hardware platforms and languages in the Seventies led to task-specific undertakings, including preliminary work on many of today's programs for music printing and analysis. The rise of personal computers and associated general-purpose software in the Eighties has enabled many scholars to pursue projects individually, particularly with the assistance of database, word processing, and notation software. Current issues facing the field include the need for standards for data interchange, the creation of banks of reusable data, the establishment of qualitative standards for encoded data, and the encouragement of realistic appraisals of what computers can do. The musicologist Eleanor Selfridge-Field, who is the author of three books on Italian music and numerous articles, editions, and reviews, has worked at CCARH since its founding in 1984. Her most recent book, The Music of Benedetto and Alessandro Marcello (Oxford: Clarendon Press, 1990), which contains 1300 musical examples, was produced from camera-ready copy supplied by CCARH. Drs. Hewlett and Selfridge-Field jointly edit the series Computing in Musicology, which is published by CCARH, and co-chair the International Musicological Society's Study Group on Musical Data and Computer Applications.
Url:
DOI: 10.1007/BF00141188
Affiliations:
Links toward previous steps (curation, corpus...)
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Le document en format XML
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university</term><term>Tonal music</term><term>Tonal types</term><term>Word processing</term><term>Yale university press</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: While there are many parallels between computing activities in musicology and those in other humanities disciplines, the particular nature of musical material and the ways in which this must be accommodated set many activities apart from those in text-based disciplines. As in other disciplines, early applications were beset by hardware constraints, which placed a premium on expertise and promoted design-intensive projects. Massive musical encoding and bibliographical projects were initiated. Diversification of hardware platforms and languages in the Seventies led to task-specific undertakings, including preliminary work on many of today's programs for music printing and analysis. The rise of personal computers and associated general-purpose software in the Eighties has enabled many scholars to pursue projects individually, particularly with the assistance of database, word processing, and notation software. Current issues facing the field include the need for standards for data interchange, the creation of banks of reusable data, the establishment of qualitative standards for encoded data, and the encouragement of realistic appraisals of what computers can do. The musicologist Eleanor Selfridge-Field, who is the author of three books on Italian music and numerous articles, editions, and reviews, has worked at CCARH since its founding in 1984. Her most recent book, The Music of Benedetto and Alessandro Marcello (Oxford: Clarendon Press, 1990), which contains 1300 musical examples, was produced from camera-ready copy supplied by CCARH. Drs. Hewlett and Selfridge-Field jointly edit the series Computing in Musicology, which is published by CCARH, and co-chair the International Musicological Society's Study Group on Musical Data and Computer Applications.</div></front></TEI><affiliations><list><country><li>Burundi</li><li>États-Unis</li></country><region><li>Californie</li></region></list><tree><country name="États-Unis"><region name="Californie"><name sortKey="Hewlett, Walter B" sort="Hewlett, Walter B" uniqKey="Hewlett W" first="Walter B." last="Hewlett">Walter B. 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